I was an early mirrorless adopter. Not in the “influencer early” sense, but back when using mirrorless for professional work still meant explaining yourself. Other photographers said I was crazy, that I was just betting on a passing technology. Around 2010, I switched to mirrorless because it made sense to me: smaller cameras, lighter kits, fewer mechanical parts, and a clear direction toward the future. For years, mirrorless systems were my primary working tools. Over a decade, I have worked with cameras made by Panasonic, Olympus, Canon, Ricoh, Leica, and Fujifilm. [Read More]

There's a quiet rebellion happening in photography right now. After a decade of manufacturers racing to produce the sharpest, most clinically corrected glass ever made, a growing number of photographers are deliberately reaching for something else. They want glow. They want swirl. They want the kind of optical rendering that looks like it was pulled from a dream sequence in a 1970s art film. They want character.  [Read More]

Leaving a corporate healthcare salary to run a full-time photo and video business sounds bold until you look at the math. Matching an average U.S. salary took more than 200 clients and nearly 300,000 images in a single year.  [Read More]

Matt Day says 2025 was not his best year, and that should get your attention. When someone who built a career on steady creative output admits he felt stuck, it forces you to look at your own patterns.  [Read More]

Sigma has announced a new fast prime for APS-C shooters, the Sigma 15mm f/1.4 DC | Contemporary. The lens joins the company’s growing set of bright-aperture Contemporary primes and continues Sigma’s recent push toward compact, lightweight designs aimed at hybrid creators and will be offered for Sony E-mount, Fujifilm X Mount, and Canon RF Mount at a retail price of $579.  [Read More]

Sigma has announced the Sigma AF Cine 28-105mm T3 FF, the second lens in its autofocus-compatible cinema series. The lens is scheduled for release on April 16, 2026, and will be offered in L-Mount and Sony E-mount. Sigma states that the lens is derived from the optical design of its still photography counterpart, the Sigma 28-105mm f/2.8 DG DN | Art, while incorporating cinema-oriented mechanics and control features.  [Read More]